Volume 5 • Issue 1 • 2017 • Melancholy Islands


Editorial

Melancholy Islands Introduction
Melancholy Islands Introduction

Alexander Beaumont and Caroline Magennis

2017-01-29 Volume 5 • Issue 1 • 2017 • Melancholy Islands • 1

Article

Melancholic Migrations and Affective Objects in Fadia Faqir’s My Name is Salma
Melancholic Migrations and Affective Objects in Fadia Faqir’s My Name is Salma

Sibyl Adam

2017-01-29 Volume 5 • Issue 1 • 2017 • Melancholy Islands • 2

‘Only the Dead Can Be Forgiven’: Contemporary Women Poets and Environmental Melancholia
‘Only the Dead Can Be Forgiven’: Contemporary Women Poets and Environmental Melancholia

Lucy Collins

2017-01-29 Volume 5 • Issue 1 • 2017 • Melancholy Islands • 3

Melancholy in Contemporary Irish Poetry: The ‘Metre Generation’ and Mahon
Melancholy in Contemporary Irish Poetry: The ‘Metre Generation’ and Mahon

Ailbhe Darcy

2017-01-29 Volume 5 • Issue 1 • 2017 • Melancholy Islands • 4

Melancholia and Conviviality in Modern Literary Scots: Sanghas, Sengas and Shairs
Melancholia and Conviviality in Modern Literary Scots: Sanghas, Sengas and Shairs

Maggie Scott

2017-01-29 Volume 5 • Issue 1 • 2017 • Melancholy Islands • 5

‘A Passport to Cross the Room’: Cosmopolitan Empathy and Transnational Engagement in Zadie Smith’s NW (2012)
‘A Passport to Cross the Room’: Cosmopolitan Empathy and Transnational Engagement in Zadie Smith’s NW (2012)

Kristian Shaw

2017-01-29 Volume 5 • Issue 1 • 2017 • Melancholy Islands • 6

Ghost Stories, Ghost Estates: Melancholia in Irish Recession Literature
Ghost Stories, Ghost Estates: Melancholia in Irish Recession Literature

Molly Slavin

2017-01-29 Volume 5 • Issue 1 • 2017 • Melancholy Islands • 7

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