Articles

'Dublin you are': Representations of Dublin in Twenty-First Century Irish Poetry

Ian Hickey

2020-10-01 Volume 8 • Issue 1 • 2020

Catatonic Futures and Post-Apocalyptic Capital

Tomas Vergara

2020-10-01 Volume 8 • Issue 1 • 2020

Essential? Different? Exceptional? The Book Trade and Covid-19

Claire Squires

2022-01-21 Volume 9 • Issue 1 • 2021 • Autumn 2021

The Oil-Flower Unfurling Its Petals: The Phenomenological Aesthetics of Tom McCarthy’s Satin Island

Joakim Hans Wrethed

2022-01-11 Volume 9 • Issue 1 • 2021 • Autumn 2021

Review: Claire Nally's Steampunk: Gender, Subculture and the Neo-Victorian. London: Bloomsbury Academic, 2019.

Megen de Bruin-Molé

2021-10-01 Volume 9 • Issue 1 • 2021 • Autumn 2021

Shaping the Lyric: Literal and Metaphorical Blank Space in the Poetry of Emily Berry and Ocean Vuong

Rachel Carney

2021-10-01 Volume 9 • Issue 1 • 2021 • Autumn 2021

Review: Disability, Literature, Genre: Representation and Affect in Contemporary Fiction by Ria Cheyne (2019)

Papatya Alkan-Genca

2021-10-01 Volume 9 • Issue 1 • 2021 • Autumn 2021

Review: A.S. Byatt’s Art of Memory by Mara Cambiaghi (2020)

Barbara Franchi

2021-10-01 Volume 9 • Issue 1 • 2021 • Autumn 2021

Review: David Mitchell: Contemporary Critical Perspectives , eds. Wendy Knepper and Courtney Hopf (2019)

Meghann Hillier-Broadley

2021-10-01 Volume 9 • Issue 1 • 2021 • Autumn 2021

Review: Contemporary Novelists and the Aesthetics of Twenty-First Century American Life by Alexandra Kingston-Reese (2020)

Liam Harrison

2021-10-01 Volume 9 • Issue 1 • 2021 • Autumn 2021

Review: Vedrana Veličković, Eastern Europeans in Contemporary Culture: Imagining New Europe

Joel Heyes

2021-10-01 Volume 9 • Issue 1 • 2021 • Autumn 2021

Review: Contemporary Women’s Post-Apocalyptic Fiction by Susan Watkins (2020)

Jade Louise Hinchliffe

2021-10-01 Volume 9 • Issue 1 • 2021 • Autumn 2021